Hip-hop is now a global multi-billion pound industry. It has spawned superstars all across the world. There have been tie-in clothing lines, TV stations, film companies, cosmetics lines. It even has its own sports, its own art style, its own dialect. It is an all-encompassing lifestyle. But where did hip-hop culture begin? Who created it? How did hip-hop become such a phenomenon? Jeff Chang, an American journalist, has written the most comprehensive book on hip-hop to date. He introduces the major players who came up with the ideas that form the basic elements of the culture. He describes how it all began with social upheavals in Jamaica, the Bronx, the Black Belt of Long Island and South Central LA. He not only provides a history of the music, but a fascinating insight into the social background of young black America. Stretching from the early 70s through to the present day, this is the definitive history of hip-hop. It will be essential reading for all DJs, B-Boys, MCs and anyone with an interest in American history.
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Presents complete chart information for the most popular R&B and hip-hop artists and songs on Billboard's Top 40 charts, from 1942 to 2004.
"Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys…[Lehane] writes persuasively of the gentrification that has…left people feeling crushed." --New York Times, on Boston Noir "The contributor list is delightfully quirky...The collection's unifying element is a deep understanding of Boston's Byzantine worlds of race and class--as seen terrifyingly in Andre Dubus's tale of milltown resentment and pampered preppies." --Boston Globe, on Boston Noir 2: The Classics Boston Noir & Boston Noir 2: The Complete Set combines all twenty-five stories from best seller Boston Noir, edited by Dennis Lehane, and its sequel, Boston Noir 2: The Classics, edited by Lehane, Mary Cotton, & Jaime Clarke; featuring Lehane's own "Animal Rescue," the basis for the motion picture The Drop, and twenty-four classic noir stories set throughout Boston.
When an American Idol-like competition comes to Atlanta, Kalia and Mariama Jefferson (sisters who couldn't be more different) stop arguing long enough to agree on one thing: Kalia has to try out. A senior at a prestigious performing arts high school, Kalia has a shot at making her dream come true. And with sixteen-year-old Mariama cheering her on, Kalia sings her heart out, eager to beat thousands of other hopefuls. But when Kalia makes the top twenty, the competition really begins—on stage and at home. Suddenly, Kalia and Mariama are up against each other. And there's only one way to win….
Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino's films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino's films but kept very much on the quiet—is the subject of Race on the QT. Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama's eclectic fusion of cultural criticism and film analysis looks beyond the director's personal racial attitudes and focuses on what Tarantino's filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.
For many African Americans of a certain demographic the sixties and seventies were the golden age of political movements. The Civil Rights movement segued into the Black Power movement which begat the Black Arts movement. Fast forward to 1979 and the release of Sugarhill Gang's "Rapper's Delight." With the onset of the Reagan years, we begin to see the unraveling of many of the advances fought for in the previous decades. Much of this occurred in the absence of credible, long-term leadership in the black community. Young blacks disillusioned with politics and feeling society no longer cared or looked out for their concerns started rapping with each other about their plight, becoming their own leaders on the battlefield of culture and birthing Hip-Hop in the process. In Somebody Scream, Marcus Reeves explores hip-hop music and its politics. Looking at ten artists that have impacted rap—from Run-DMC (Black Pop in a B-Boy Stance) to Eminem (Vanilla Nice)—and puts their music and celebrity in a larger socio-political context. In doing so, he tells the story of hip hop's rise from New York-based musical form to commercial music revolution to unifying expression for a post-black power generation.
9.5 Theses on Art and Class seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art's most persistent debates, from definitions of political art to the troubled status of "outsider" and street art to the question of how we maintain faith in art itself. Ben Davis currently lives and works in New York City where he is Executive Editor at Artinfo.
From its roots in the South Bronx over thirty years ago, hip-hop has swept across continents and oceans, shaping the music and mores of urban culture. It is more than just music. Hip-hop is a lifestyle that encompasses attitude, fashion, and a largely counter-Christian worldview. Transcending ethnic, geographic, generational, and economic barriers, hip-hop places one of the church’s biggest mission opportunities right outside our windows.Un.orthodox equips church leaders and parents alike to understand and engage a culture that is as near as our schools, our communities, and even our homes. Author Tommy Kyllonen has seen hip-hop from the inside as a recording artist, as well as through the eyes of a pastor whose congregation has set the model for a groundswell of young urban churches focusing on hip-hop culture. Offering unique perspectives on the history, current state, and future of the hip-hop movement, Kyllonen shows what a hip-hop targeted ministry can look like in worship, outreach, evangelism, service, and discipleship.Using his own story as an example, Tommy shows how you can combine the hip-hop culture with faith.
Follow us on http://www.instagram.com/GOOD2GOPUBLISHING for Free Giveaways. Slumped Part 2 continues where part 1 left off. Once the streets pull you in they own you. Or at least that's the way it's been for Slump. Since a child he had the responsibility of taking care of himself along with his younger brother and sister by any means necessary. The only thing he has ever been good at is killing, so good that the streets named him. "The Boogyman" but Slump faces a problem when he has to find out the hard way that not everyone is afraid of the Boogyman. He has one goal, get this money and get out fast. That's until his past begins to catch up to him. This classic tale by Jason Brent is sure to leave readers breathless.
It's all about the scratch in Groove Music, award-winning music historian Mark Katz's groundbreaking book about the figure that defined hip-hop: the DJ. Today hip-hop is a global phenomenon, and the sight and sound of DJs mixing and scratching is familiar in every corner of the world. But hip-hop was born in the streets of New York in the 1970s when a handful of teenagers started experimenting with spinning vinyl records on turntables in new ways. Although rapping has become the face of hip-hop, for nearly 40 years the DJ has proven the backbone of the culture. In Groove Music, Katz (an amateur DJ himself) delves into the fascinating world of the DJ, tracing the art of the turntable from its humble beginnings in the Bronx in the 1970s to its meteoric rise to global phenomenon today. Based on extensive interviews with practicing DJs, historical research, and his own personal experience, Katz presents a history of hip-hop from the point of view of the people who invented the genre. Here, DJs step up to discuss a wide range of topics, including the transformation of the turntable from a playback device to an instrument in its own right, the highly charged competitive DJ battles, the game-changing introduction of digital technology, and the complex politics of race and gender in the DJ scene. Exhaustively researched and written with all the verve and energy of hip-hop itself, Groove Music will delight experienced and aspiring DJs, hip-hop fans, and all students or scholars of popular music and culture.
This week of practice pages build second graders' language skills. Each question is tied to a specific grammar, usage, and mechanics concept. Daily practice through these quick activities will help your students. Great formative assessment tool!
This anthology of classic noir set in NYC’s County of Kings features stories by Thomas Wolfe, Lawrence Block, Maggie Estep and more. On the heels of the award-winning bestseller Brooklyn Noir—a collection of all-new Brooklyn-based crime fiction—this second volume digs deeper into the criminal history of New York's punchiest and most alluring borough. Brooklyn Noir 2 offers classic short stories by the authors who blazed the path for the success of the first volume. Each story is set in a distinct Brooklyn neighborhood and mixes masters of genre with some of the best literary fiction authors to ever set foot in the borough. These brilliant and chilling stories explore crime among Brooklyn’s Russian, Jamaican, Puerto Rican, Italian, and Irish, communities, among other enclaves in this diverse and distinctly crooked borough. Brooklyn Noir 2 features entries by H.P. Lovecraft, Lawrence Block, Donald Westlake, Pete Hamill, Jonathan Lethem, Colson Whitehead, Carolyn Wheat, Thomas Wolfe, Hubert Selby, Jr., Stanley Ellin, Gilbert Sorrentino, Maggie Estep, Salvatore La Puma, and Irwin Shaw.
From its origins in academic discourse in the 1970s to our collective imagination today, the concept of “rape culture” has resonated in a variety of spheres, including television, gaming, comic book culture, and college campuses. Beyond Blurred Lines traces ways that sexual violence is collectively processed, mediated, negotiated, and contested by exploring public reactions to high-profile incidents and rape narratives in popular culture. The concept of rape culture was initially embraced in popular media – mass media, social media, and popular culture – and contributed to a social understanding of sexual violence that mirrored feminist concerns about the persistence of rape myths and victim-blaming. However, it was later challenged by skeptics who framed the concept as a moral panic. Nickie D. Phillips documents how the conversation shifted from substantiating claims of a rape culture toward growing scrutiny of the prevalence of sexual assault on college campuses. This, in turn, renewed attention toward false allegations, and away from how college enforcement policies fail victims to how they endanger accused young men. Ultimately, she successfully lends insight into how the debates around rape culture, including microaggressions, gendered harassment and so-called political correctness, inform our collective imaginations and shape our attitudes toward criminal justice and policy responses to sexual violence.