With a Foreword by Bill O’Reilly, here is the incredible memoir of a former Marine who returns to combat in Iraq and Afghanistan three decades after leaving the Corps. Terry McGowan had been a beat cop, a Marine captain, and a Special Agent for the FBI before retiring at the age of fifty. But when tragedy struck the United States on September 11th, 2001, Terry felt an undiminished sense of duty to protect and serve his country. Six years later, he was in Iraq as a member of a team of high ranking retired and active duty military working for the highest level of Marine military intelligence. His success in Iraq led to a position as a Law Enforcement Professional with the Marines in Afghanistan. There he found himself the oldest member of a platoon on the front line; a platoon that was understrength and under fire. While an eighteen year old Marine can't look at a crowd of Afghans and pick out the guilty party, with his years of experience in law enforcement, Terry had developed an eye for the "felony look". His training as a Marine Officer combined with his experience as an FBI Agent made him a unique asset as he struggled to keep up with young Marines while they humped over the mountains. In The Silence of War, Terry recounts the many trials of his life of service, providing an intimate glimpse into the horrible realities of modern military conflict. INCLUDES PHOTOS From the Hardcover edition.
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The author presents short newspaper articles concerning the war in Vietnam along with writings of his memories of sixteen months of an extended Vietnam tour with the Marines.
First published to accompany a major exhibition at the V&A, this work looks at the three main trends which are currently dominating international fashion: the arrival of the British superstar designers; the European conceptual, minimalist movement; and the highly influential, radically different Japanese designers.
- Author : United States. President
- Publisher : Unknown
- Release Date : 1999
- Genre : Presidents
- Pages : 231
- ISBN : UIUC:30112048187527
"Containing the public messages, speeches, and statements of the President", 1956-1992.
The New York Times Bestselling Author of The Marines of Autumn Late November of 1941. Half the world is at war and with the other half about to join in, a thousand U.S. Marines stand sentinel over the last days of an uneasy truce between ourselves and the Imperial Japanese Army in chaotic North China. By November 27, FDR is convinced Japan is about to launch a military action. Washington doesn't know where, isn't sure precisely when. But the Cabinet is sufficiently alarmed that War Secretary Henry Stimson and Secretary of the Navy Frank Knox are authorized to send an immediate and coded "warning of war" to American bases and units in harm's way. In Shanghai two cruise ships are chartered and 800 armed American Marines are marched through the great port city with enormous pomp and circumstance and embarked for Manila. Another 200 Marines, unable to reach Shanghai, and serving in small garrisons and posts from Peking to Mongolia and the Gobi Desert, are caught short by this "warning of war." This is their story. Of how a detachment of American Marines marooned in North China as war erupts, set out on an epic march through hostile territory in an attempt to fight their way out of China and, somehow, rejoin their Corps for the war against Japan. James Brady dazzles us once again with a stunning and unflinching look at America at war. Warning of War is a moving tribute to sheer courage, determination, and Marine Corps discipline, and is a wonderful celebration of America in one of its darkest but finest hours.
World War II has been the subject of hundreds, if not thousands, of films produced in the United States alone. From training camp scenes in See Here, Private Hargrove to images of brutal combat in Saving Private Ryan, filmmakers have been tasked with replicating pivotal moments in the war. But sometimes story lines and dramatic manipulations of audiences have led to less-than-faithful re-creations of what men and women have endured during times of conflict. In Real War vs. Reel War: Veterans, Hollywood, and World WarII, Suzanne Broderick looks at how on-screen portrayals hold up against wartime experiences of actual combatants—soldiers, sailors, pilots, code talkers, and prisoners of war. In addition, two women—real-life “Rosie the Riveters”—compare depictions of the homefront with their experiences during the war. These members of the Greatest Generation share personal memories and offer commentary on the films that have sought to capture what it was really like. Among the films discussed in this book are such classics as Battleground, Twelve O’Clock High, The Best Years of Our Lives, Since You Went Away, The Sands of Iwo Jima, and The Great Escape, as well as more contemporary films such as Swing Shift and Windtalkers. By providing a “human” look at the military, the war effort, and how such people and events were depicted on screen, Real War vs. Reel War makes a unique contribution to the conversation about Hollywood’s role in shaping history. This book will appeal to historians, cultural critics, and anyone interested in war cinema.
The author chronicles the Korean War, combining archive research and strategic narrative with personal recollections of participants, including Chinese as well as American, British, and Korean veterans.