War Information Series
- Author : United States. Committee on Public Information
- Publisher : Unknown
- Release Date : 1918
- Genre : World War, 1914-1918
- Pages : 231
- ISBN : MINN:319510022616147
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Making War at Fort Hood offers an illuminating look at war through the daily lives of the people whose job it is to produce it. Kenneth MacLeish conducted a year of intensive fieldwork among soldiers and their families at and around the US Army's Fort Hood in central Texas. He shows how war's reach extends far beyond the battlefield into military communities where violence is as routine, boring, and normal as it is shocking and traumatic. Fort Hood is one of the largest military installations in the world, and many of the 55,000 personnel based there have served multiple tours in Iraq and Afghanistan. MacLeish provides intimate portraits of Fort Hood's soldiers and those closest to them, drawing on numerous in-depth interviews and diverse ethnographic material. He explores the exceptional position that soldiers occupy in relation to violence--not only trained to fight and kill, but placed deliberately in harm's way and offered up to die. The death and destruction of war happen to soldiers on purpose. MacLeish interweaves gripping narrative with critical theory and anthropological analysis to vividly describe this unique condition of vulnerability. Along the way, he sheds new light on the dynamics of military family life, stereotypes of veterans, what it means for civilians to say "thank you" to soldiers, and other questions about the sometimes ordinary, sometimes agonizing labor of making war. Making War at Fort Hood is the first ethnography to examine the everyday lives of the soldiers, families, and communities who personally bear the burden of America's most recent wars.
Set just after the Normandy invasion, ARTICLES OF WAR is the story of Heck, an American GI who has recently arrived from Ohio. Utterly inexperienced as a soldier, Heck is paralyzed with fear during his first firefight. Desperate to get away from the front line, he deliberately allows himself to be shot but a fellow private sees and understands what he has done. Sent to a hospital behind the lines, his wound heals quickly and he returns to find that the witness has been promoted and is now his superior.He says nothing to Heck about his act of cowardice but a little while later sends him to the rear for a special assignment, without telling him what that assignment is.In fact, he has been assigned to the firing squad which will execute Private Eddie Slovak (in reality the only GI shot for desertion during the Second World War and the first since the Civil War). This is Heck's excruciating moral punishment.He, himself a deserter, is forced to shoot another deserter. Nick Arvin draws the reader into the unimaginable fear, violence and chaos of the war zone. Like the very best war fiction - Pat Barker's REGENERATION trilogy, Sebastian Faulks' BIRDSONG -ahe shows how ordinary lives are transformed by extraordinary events.
Seminar paper from the year 2005 in the subject American Studies - Culture and Applied Geography, grade: very good (UK: grade A), University of Hannover, course: American Politics, 9 entries in the bibliography, language: English, abstract: The question of the media’s role in wartime has become more and more important as the press is increasingly involved in the events on the battleground. Since the Vietnam War the freedom of press and the amount of political control over the media have been subject to controversial debate. In the Iraq War, however, the issue of journalism has reached a new level. With regard to the ‘embedding’ of reporters in this war, this essay will deal with how the media’s role in the Iraq war is different from previous wars in American history. This issue will be discussed in the context of the First Amendment to the American Constitution.