The beloved author of Refuge returns with a work that explodes and startles, illuminates and celebrates Terry Tempest Williams's mother told her: "I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone." Readers of Williams's iconic and unconventional memoir, Refuge, well remember that mother. She was one of a large Mormon clan in northern Utah who developed cancer as a result of the nuclear testing in nearby Nevada. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them. "They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother's journals were blank." What did Williams's mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question "What does it mean to have a voice?"
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How does a bird experience a city? A backyard? A park? As the world has become more urban, noisier from increased traffic, and brighter from streetlights and office buildings, it has also become more dangerous for countless species of birds. Warblers become disoriented by nighttime lights and collide with buildings. Ground-feeding sparrows fall prey to feral cats. Hawks and other birds-of-prey are sickened by rat poison. These name just a few of the myriad hazards. How do our cities need to change in order to reduce the threats, often created unintentionally, that have resulted in nearly three billion birds lost in North America alone since the 1970s? In The Bird-Friendly City, Timothy Beatley, a longtime advocate for intertwining the built and natural environments, takes readers on a global tour of cities that are reinventing the status quo with birds in mind. Efforts span a fascinating breadth of approaches: public education, urban planning and design, habitat restoration, architecture, art, civil disobedience, and more. Beatley shares empowering examples, including: advocates for “catios,” enclosed outdoor spaces that allow cats to enjoy backyards without being able to catch birds; a public relations campaign for vultures; and innovations in building design that balance aesthetics with preventing bird strikes. Through these changes and the others Beatley describes, it is possible to make our urban environments more welcoming to many bird species. Readers will come away motivated to implement and advocate for bird-friendly changes, with inspiring examples to draw from. Whether birds are migrating and need a temporary shelter or are taking up permanent residence in a backyard, when the environment is safer for birds, humans are happier as well.
America’s national parks are breathing spaces in a world in which such spaces are steadily disappearing, which is why more than 300 million people visit the parks each year. Now Terry Tempest Williams, the author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks, an exploration of what they mean to us and what we mean to them. From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas and more, Williams creates a series of lyrical portraits that illuminate the unique grandeur of each place while delving into what it means to shape a landscape with its own evolutionary history into something of our own making. Part memoir, part natural history, and part social critique, The Hour of Land is a meditation and a manifesto on why wild lands matter to the soul of America.
In this potent collage of stories, essays, and testimony, Williams makes a stirring case for the preservation of America’s Redrock Wilderness in the canyon country of southern Utah. As passionate as she is persuasive, Williams, the beloved author of Refuge, is one of the country’s most eloquent and imaginative writers. The desert is her blood. Here she writes lyrically about the desert’s power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise–an animal that can “teach us the slow art of revolutionary patience” as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land–an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one.
- Author : Michael Foucault
- Publisher : Yayasan Obor Indonesia
- Release Date : 2008
- Genre : Sex customs
- Pages : 208
- ISBN : 9794616699
"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation. In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.
Presents biographial essays on ninety-seven women scientists who have contributed to the life sciences from antiquity to the present
Fierce, timely, and unsettling essays from an important and beloved writer and conservationist Terry Tempest Williams's fierce, spirited, and magnificent essays are a howl in the desert. She sizes up the continuing assaults on America's public lands and the erosion of our commitment to the open space of democracy. She asks: "How do we find the strength to not look away from all that is breaking our hearts?" We know the elements of erosion: wind, water, and time. They have shaped the spectacular physical landscape of our nation. Here, Williams bravely and brilliantly explores the many forms of erosion we face: of democracy, science, compassion, and trust. She examines the dire cultural and environmental implications of the gutting of Bear Ears National Monument—sacred lands to Native Peoples of the American Southwest; of the undermining of the Endangered Species Act; of the relentless press by the fossil fuel industry that has led to a panorama in which "oil rigs light up the horizon." And she testifies that the climate crisis is not an abstraction, offering as evidence the drought outside her door and, at times, within herself. These essays are Williams's call to action, blazing a way forward through difficult and dispiriting times. We will find new territory—emotional, geographical, communal. The erosion of desert lands exposes the truth of change. What has been weathered, worn, and whittled away is as powerful as what remains. Our undoing is also our becoming. Erosion is a book for this moment, political and spiritual at once, written by one of our greatest naturalists, essayists, and defenders of the environment. She reminds us that beauty is its own form of resistance, and that water can crack stone.
The acclaimed author of Refuge here weaves together a resonant and often rhapsodic manifesto on behalf of the landscapes she loves, combining the power of her observations in the field with her personal experience—as a woman, a Mormon, and a Westerner. Through the grace of her stories we come to see how a lack of intimacy with the natural world has initiated a lack of intimacy with each other. Williams shadows lions on the Serengeti and spots night herons in the Bronx. She pays homage to the rogue spirits of Edward Abbey and Georgia O’Keeffe, contemplates the unfathomable wildness of bears, and directs us to a politics of place. The result is an utterly persuasive book—one that has the power to change the way we live upon the earth.
The author of Leap describes her Mormon upbringing, juxtaposing these reminiscences with discussions of the flooding of a wildlife bird sanctuary and its effect on that ecosystem, and her family's legacy of cancer. Reprint. 17,500 first printing.
- Author : John James Audubon
- Publisher : Unknown
- Release Date : 1856
- Genre : Uncategorized
- Pages : 456
- ISBN : ONB:+Z228553009
- Author : Anonim
- Publisher : Unknown
- Release Date : 1888
- Genre : Birds
- Pages : 231
- ISBN : CORNELL:31924056412871
“Everything I know about life, I learned from the daily practice of sitting down to write.” From the best-selling author of Devotion and Slow Motion comes a witty, heartfelt, and practical look at the exhilarating and challenging process of storytelling. At once a memoir, meditation on the artistic process, and advice on craft, Still Writing is an intimate and eloquent companion to living a creative life. Through a blend of deeply personal stories about what formed her as a writer, tales from other authors, and a searching look at her own creative process, Shapiro offers her gift to writers everywhere: an elegant guide of hard-won wisdom and advice for staying the course. “The writer’s life requires courage, patience, empathy, openness. It requires the ability to be alone with oneself. Gentle with oneself. To be disciplined, and at the same time, take risks.” Writers—and anyone with an artistic temperament—will find inspiration and comfort in these pages. Offering lessons learned over twenty years of teaching and writing, Shapiro brings her own revealing insights to weave an indispensable almanac for modern writers. Like Anne Lamott’s Bird by Bird, Virginia Woolf’s A Writer’s Diary, and Stephen King’s On Writing, Dani Shapiro’s Still Writing is a lodestar for aspiring scribes and an eloquent memoir of the writing life.
Americans have always been fascinated by birds and from the beginning American writers have captured this keen interest in a variety of genres- poems, journals, memoirs, short stories, essays, and travel accounts. Now, editors Terry Tempest Williams and Andrew Rubenfeld bring together the very best of this writing on America's birds in an astonshing collection that encompasses the Aleutian Islands and the Florida Keys, the Maine woods to the deserts of the southwest--and our own gardens and backyards feeders. What better companion to a field guide to the birds of North America than these personal accounts of birds and bird watching by a Who's Who of American literature? Put your binoculars aside and listen to the exquisite beauty of three Native American songs about birds, follow Lewis and Clark as they encounter new species on their journey across the continent, look over Audubon's shoulder as he sketches in New Orleans, and join Emerson and Thoreau rambling around Walden Pond. Here too are Theodore Roosevelt as he recalls the birds of his New York childhood, Rachel Carson observing a skimmer on the Atlantic coast, and Roger Tory Peterson casting a keen eye on snail kites and limpkins in the Everglades. Add to this an impressive array of modern and contemporary poets celebrating the wonder of birds and the joys of bird watching, including Robert Frost, Marianne Moore, Elizabeth Bishop, Sterling A. Brown, Cornelius Eady, Mary Oliver, Linda Hogan, and Louis Erdrich. This chronological survey of how and why Americans have watched birds makes the perfect gift for both the serious birder and the backyard watcher, indeed anyone who's ever been drawn by the wonder of birds.