White Trash is a fast-paced, laugh-out-loud book that exposes hypocrisies and prejudices. As a small police department works its biggest case, startling truths about its citizens are revealed. It is every American small town peopled with neighbors you can't get away from, you can't stop talking about, and you may not want to leave.
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Poor white trash crops up in trailer parks and ratty housing all over the country. They breed like rabbits and sponge off the land. But for all their foibles, they're really fun to make fun of. Take a look inside to find out about all the stuff white trash people like from Cheez Whiz to bowling to welfare. Project Webster represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Project Webster continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge.
The New York Times Bestseller A ground-breaking history of the class system in America, which challenges popular myths about equality in the land of opportunity. In this landmark book, Nancy Isenberg argues that the voters who boosted Trump all the way to the White House have been a permanent part of the American fabric, and reveals how the wretched and landless poor have existed from the time of the earliest British colonial settlements to today's hillbillies. Poor whites were central to the rise of the Republican Party in the early nineteenth century and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted white trash against newly freed slaves, which factored in the rise of eugenics - a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and Lyndon B. Johnson's Great Society; they are now offered up as entertainment in reality TV shows, and the label is applied to celebrities ranging from Dolly Parton to Bill Clinton. Marginalized as a class, white trash have always been at or near the centre of major political debates over the character of the American identity. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America's supposedly class-free society - where liberty and hard work were meant to ensure real social mobility - and forces a nation to face the truth about the enduring, malevolent nature of class.
How the words we use—and don’t use—reinforce dominant cultural norms Why is the term "openly gay" so widely used but "openly straight" is not? What are the unspoken assumptions behind terms like "male nurse," "working mom," and "white trash"? Offering a revealing and provocative look at the word choices we make every day without even realizing it, Taken for Granted exposes the subtly encoded ways we talk about race, gender, sexual orientation, religion, social status, and more. In this engaging and insightful book, Eviatar Zerubavel describes how the words we use--such as when we mark "the best female basketball player" but leave her male counterpart unmarked—provide telling clues about the things many of us take for granted. By marking "women's history" or "Black History Month," we are also reinforcing the apparent normality of the history of white men. When we mark something as being special or somehow noticeable, that which goes unmarked—such as maleness, whiteness, straightness, and able-bodiedness—is assumed to be ordinary by default. Zerubavel shows how this tacit normalizing of certain identities, practices, and ideas helps to maintain their cultural dominance—including the power to dictate what others take for granted. A little book about a very big idea, Taken for Granted draws our attention to what we implicitly assume to be normal—and in the process unsettles the very notion of normality.
Odd Tribes challenges theories of whiteness and critical race studies by examining the tangles of privilege, debasement, power, and stigma that constitute white identity. Considering the relation of phantasmatic cultural forms such as the racial stereotype “white trash” to the actual social conditions of poor whites, John Hartigan Jr. generates new insights into the ways that race, class, and gender are fundamentally interconnected. By tracing the historical interplay of stereotypes, popular cultural representations, and the social sciences’ objectifications of poverty, Hartigan demonstrates how constructions of whiteness continually depend on the vigilant maintenance of class and gender decorums. Odd Tribes engages debates in history, anthropology, sociology, and cultural studies over how race matters. Hartigan tracks the spread of “white trash” from an epithet used only in the South prior to the Civil War to one invoked throughout the country by the early twentieth century. He also recounts how the cultural figure of “white trash” influenced academic and popular writings on the urban poor from the 1880s through the 1990s. Hartigan’s critical reading of the historical uses of degrading images of poor whites to ratify lines of color in this country culminates in an analysis of how contemporary performers such as Eminem and Roseanne Barr challenge stereotypical representations of “white trash” by claiming the identity as their own. Odd Tribes presents a compelling vision of what cultural studies can be when diverse research methodologies and conceptual frameworks are brought to bear on pressing social issues.
Snobbery is a more serious matter than some may think: the arguments around Brexit and Trump show that accusations of snobbery have become part of political discourse and public sentiment, building social divisions and reflecting deeper issues of class inequality. Social class is not simply about wealth, health and life-chances but also about everyday social experience, such as being included or excluded. As social inequality grows, snobbery is becoming ever more pertinent. This book takes a fresh and engaging look at this key issue, drawing on literature, popular culture and autobiography as well as sociology and history. David Morgan explores the complex history and different varieties of snobbery as well as its all-pervasive character to reveal why, despite claims about the openness of our society, it is still a matter of public concern.
A revealing look at the pleasure we get from hating figures like politicians, celebrities, and TV characters, showcased in approaches that explore snark, hate-watching, and trolling The work of a fan takes many forms: following a favorite celebrity on Instagram, writing steamy fan fiction fantasies, attending meet-and-greets, and creating fan art as homages to adored characters. While fandom that manifests as feelings of like and love are commonly understood, examined less frequently are the equally intense, but opposite feelings of dislike and hatred. Disinterest. Disgust. Hate. This is anti-fandom. It is visible in many of the same spaces where you see fandom: in the long lines at ComicCon, in our politics, and in numerous online forums like Twitter, Tumblr, Reddit, and the ever dreaded comments section. This is where fans and fandoms debate and discipline. This is where we love to hate. Anti-Fandom,a collection of 15 original and innovative essays, provides a framework for future study through theoretical and methodological exemplars that examine anti-fandom in the contemporary digital environment through gender, generation, sexuality, race, taste, authenticity, nationality, celebrity, and more. From hatewatching Girls and Here Comes Honey Boo Boo to trolling celebrities and their characters on Twitter, these chapters ground the emerging area of anti-fan studies with a productive foundation. The book demonstrates the importance of constructing a complex knowledge of emotion and media in fan studies. Its focus on the pleasures, performances, and practices that constitute anti-fandom will generate new perspectives for understanding the impact of hate on our identities, relationships, and communities.
A mommy manifesto for the mom who proudly strives to be less-than-perfect Michelle Lamar is a wry observer of the politics of elementary schools, the perfect moms who run them, and the kids who are trying to grow up without being embarrassed to death by their parents. This book imparts invaluable advice on how to survive the brutal world of parenting, bake sales, and the PTA. The White Trash Mom Handbook is a welcome and humorous approach to handling the pressures of modern-day motherhood. Readers can get a good laugh while learning the knowledge and skills needed to become a White Trash Mom: Fake Bakin' - transform store-bought treats into bake sale bestsellers! Making Friends - how to spot a fellow White Trash Mom from 50 paces Helping Out - give back to the school without sacrificing your time or sanity. The White Trash Mom Handbook will teach moms to let go of being the best and embrace their inner rebel so they can enjoy their kids more, avoid PTA purgatory, and get a real life.
Not all magicians go to schools of magic. Adam Binder has the Sight. It’s a power that runs in his bloodline: the ability to see beyond this world and into another, a realm of magic populated by elves, gnomes, and spirits of every kind. But for much of Adam’s life, that power has been a curse, hindering friendships, worrying his backwoods family, and fueling his abusive father’s rage. Years after his brother, Bobby, had him committed to a psych ward, Adam is ready to come to grips with who he is, to live his life on his terms, to find love, and maybe even use his magic to do some good. Hoping to track down his missing father, Adam follows a trail of cursed artifacts to Denver, only to discover that an ancient and horrifying spirit has taken possession of Bobby’s wife. It isn’t long before Adam becomes the spirit’s next target. To survive the confrontation, save his sister-in-law, and learn the truth about his father, Adam will have to risk bargaining with very dangerous beings ... including his first love.